翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Sunday, Bloody Sunday (film) : ウィキペディア英語版
Sunday Bloody Sunday (film)

''Sunday Bloody Sunday'' is a 1971 British drama film written by Penelope Gilliatt, directed by John Schlesinger and starring Murray Head, Glenda Jackson and Peter Finch. It tells the story of a free-spirited young bisexual artist (played by Head) and his simultaneous relationships with a female recruitment consultant (Jackson) and a male Jewish doctor (Finch).
The film is significant for its time in that Finch's homosexual character is depicted as successful and relatively well-adjusted, and not particularly upset by his sexuality. In this sense, ''Sunday Bloody Sunday'' was a considerable departure from Schlesinger's previous film ''Midnight Cowboy'', which had portrayed its gay characters as alienated and self-loathing, as well as other gay-themed films of the era, including ''Boys in the Band,'' and ''Some of My Best Friends Are....''
The film was released before the 1972 shooting by the British Army of unarmed protesters in Derry, Northern Ireland, an event dubbed "Bloody Sunday."
==Synopsis==
A Jewish doctor, Daniel Hirsh (Peter Finch) and a young woman, Alex Greville (Glenda Jackson) are both involved in a love triangle with contemporary sculptor Bob Elkin (Murray Head). Not only are Hirsh and Greville aware that Elkin is seeing the other but they know one another through common friends. Despite this, they are willing to put up with the situation through fear of losing Elkin, who switches freely between them.
For Greville, the relationship is bound up with a growing disillusionment about her life, failed marriage and uneasy childhood. For Hirsh, it represents an escape from the repressed nature of his Jewish upbringing. Both realise the lack of permanence about their situation and it is only when Elkin decides to leave the country that they both come face to face (for the first time in the narrative and at the end). Despite their opposed situations, both come to realize that it is time to move on.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Sunday Bloody Sunday (film)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.